Monday, April 23, 2018

The Washington Wizards need to play better on the road if they want to advance into the second round of the NBA playoffs



If the Washington Wizards are going to advance into the second round of the NBA playoffs, they need to play better on the road. They must win at least one game on the road against Toronto in order to advance into the second round.

They play well at home. The Wizards have won 7 straight playoff games at home. Only the Golden State Warriors have won as many consecutive games at home in the playoffs. However, good teams win on the road.

John Wall, after the Wizards' game four victory at home, said that the Wizards do not give up, and that they play tough when their backs are up against the wall. However, they do not play as tough as they need to on the road. Teams that are truly resilient and tough play well on the road. It is easier to play inspired basketball when the home crowd is cheering a team on. It is much tougher to play well when a team is facing a hostile crowd.

The Wizards played well in games 3 and 4 as they evened their series with the Toronto Raptors at 2 games a piece. In both games, they played better as the game went on.

In game 3, the Wizards shot 55% from the field including 43% from 3 point range. They outrebounded Toronto 39-34 and dished out 9 more assists than the Raptors. The Wizards had 10 steals and 8 blocked shots. Additionally, the Wizards got 21 points off of fast breaks. The Raptors had only 10 fast break points. The Wizards clearly out played Toronto as they won 122-103.

However, even though they outplayed Toronto in game 3, the Wizards gave up 28 points off of turnovers. The Wizards cannot allow that to happen in game 5 at Toronto. The Wizards must take care of the basketball. Turnovers prevent a team from scoring and give the opposition a scoring opportunity. Additionally, turnovers take away a team's momentum and give the opposition momentum. The Wizards must avoid turnovers the rest of the series.

In game 4, the Wizards trailed 54-40 early in the 3rd quarter. However, they were able to erase the deficit behind clutch shooting by Otto Porter jr. who hit a couple of threes early in the quarter. This gave the Wizards some momentum. Additionally, Wall played well down the stretch. After Bradley Beal fouled out, the Wizards outscored the Raptors 14-6 to close out the game. Wall finished with 27 points, 14 assists and 6 rebounds. Wall needs to have a similar performance against the Raptors in game 5.

In game 1, the Wizards lost to the Raptors 114-106. The Wizards actually led this game at the half. However, Washington was outscored 59-47 by Toronto in the second half. The Wizards shot only 38% from three point range and had only 10 fast break points. In contrast, the Raptors shot a blistering 53% from behind the arc and had 6 more fast break points. If the Wizards are going to advance, they need to shoot a high percentage from three point range and get more fast break points. Additionally, they cannot allow the Raptors to shoot over 50% from three point range.

In game 2, the Wizards were outrebounded by the Raptors 55-40. Toronto outscored Washington 44-27 in the first quarter. The Wizards could not overcome their slow start or the outstanding shooting by the Raptors at the start of the game. Washington cannot start slowly in game 5. Additionally, the Wizards cannot be outrebounded on the road. Washington has to get position in the paint and rebound the basketball better than Toronto if it wants to win game 5.

The Wizards must avoid the mistakes of the fist two games in order to advance. They need to play a complete game in game 5 in order to win. They need to outrebound the Raptors. They need to score fast break points. The Wizards need to limit turnovers, make a high percentage of their three point shots, score points in the paint and play strong defense. Additionally, the Wizards need to start strong so that they do not have to overcome a huge deficit on the road.



Friday, April 13, 2018

Despite a disappointing regular season, the Washington Wizards can still advance in the post season




With a core of John Wall, Bradley Beal and Otto Porter, jr., the Washington Wizards have had high expectations. They had hoped to compete for an Eastern Conference championship. However, this current era has been disappointing for the Wizards. So far they have not lived up the expectations that have been set for them.

The Wizards are in the 8th spot in the Eastern Conference. They will play the Toronto Raptors in the opening round of the Eastern Conference playoffs. Making the playoffs is a minimal accomplishment in the NBA, where half of the teams qualify for the post season. In order for this season to be a success for Washington, they need to advance.

Despite their mediocre play this season, the Wizards have the talent to advance in the playoffs. However, several things need to happen for the Wizards to advance.

Wall, the team's point guard, needs to fully recovery from his injury and play well. Wall is one of the best passing point guards in the NBA. He is fast, skilled and athletic. He needs to create opportunities for his teammates by driving into the lane and dishing off to teammates.

Secondly, Wall needs to limit turnovers, While he plays quickly and athletically, he needs to play within control of himself. He needs to make good decisions with the basketball. His assist to turnover ratio needs to be good in the playoffs.

Additionally, Wall needs to make his jump shots. When Wall entered the NBA, he was not a good jump shooter. He worked on his game and developed a decent jump shot. Wall needs to shoot a high percentage in the series. He needs to make opposing defenses respect his ability to drive and shoot.



Beal, one of the best pure shooters in the NBA, needs to be on his game. Beal needs to come off screens and hit open shots. He also needs to create his own shots. He needs to be consistently good in the playoffs.

Porter, Jr., needs to be good from beyond the arc. His ability to hit three point shots stretches the defenses of the Wizards' opponents. Porter's three point shooting adds versatility to the Wizards' game. Porter's ability to make three point shots means that Washington does not have to exclusively rely on Wall and Beal for offensive strength.

Marcin Gortat needs to make shots close to the basket. Gortat also needs to be a force on the offensive and defensive boards. He needs to rebound the basketball and give the Wizards second chance opportunities and limit the Raptors' second chance opportunities.

Gortat needs to be a strong interior presence for Washington. When the Wizards play well, Gortat seems to be a big part of their success. While there is great emphasis on the perimeter in today's NBA, a team's interior play can often make the difference between winning and losing.

Wall and Gortat could also implement the pick and roll, which is a play that they run very well. This is an effective part of their offense and it gives the Wizards an important option in their half court offense.

In this scenario, Gortat sets a pick for Wall, who often draws a double team. When a team double covers Wall, Gortat is open. Sometimes Gortat moves towards the basket and Wall throws it over the defense, so that only Gortat can get it. At other times, Gortat trails Wall and gets the pass and then drives to the basket and finishes strong.

The pick and roll is difficult to defend in part because the defense does not know where Wall will dribble to and where Gortat will be. The Wizards run variations of the play which keeps the defenders guessing. In any event, it is a very effective play, and the Wizards need to run it well in order to advance in the playoffs.

Additionally, Gortat needs to be a strong defensive presence in the interior. He needs to play tough defense and get his share of offensive and defense rebounds as well.

Marquis Morris can make mid range jump shots. He needs to be a consistent option for the Wizards in this area. He needs to be able to move to the area around the foul line and consistently make jump shots. If he can be consistent in this area, then the Wizards can have another option to go along with Wall, Beal, Porter and Gortat.

Ian Mahinmi can make a difference off the bench as well. He can score close to the basket. He is adept at scoring with his left or his right hand close to the hoop. His rebounding ability can help the Wizards' second unit. If Mahinmi can rebound and score off of misses, that will help the Wizards' bench to be competitive. Additionally, Mahinmi has a strong move to the basket and can dunk well. Also, if Mahinmi can play well, that will allow the Wizards to rest Gortat.

Kelly Oubre can also provide help off the bench. Oubre is athletic and he can shoot well beyond the arc. He is also good in transition. Oubre needs to be a dynamic presence for the Wizards' second unit. If he plays well, that would allow the Wizards to rest Porter, jr. at times.

Additionally, Tomas Satoransky can lead the second unit as a point guard. He's an adept handler of the basketball with passing skills. If Oubre, Saroransky, Mahinmi and the other reserves play well, then the Wizards will be able to maintain leads when the starters are resting.

Playing good defense will also be key. Each Wizards' player needs to play tough defense for the entire game. They need to observe the fundamentals of strong defensive play. They need to stay between their man and the basketball, deny passes to the interior, constest shots, play with grit and toughness and be in good position to get offensive and defensive rebounds. There is simply no substitute for strong defensive play.

The Wizards also need to do their best to not allow points in transition. Wall, because of his quickness, can get back in transition. His speed even allows him to block lay ups during a fast break. It's essential that the Wizards do not concede points. Every shot must be contested.

Perhaps, above all, the Wizards need to be mentally strong. They need to play hard on every play and limit their mistakes. They need good shot selection and a strong commitment to offensive and defensive rebounding. They have to avoid mental lapses and they have to give maximum effort on every play.

During the playoffs, a team shows how much pride it has. The playoffs reveal how badly a team wants to win. The playoffs show the character of a team.


Friday, March 30, 2018

Some announcers capture the moment perfectly




As the clock ticked down in the 1980 winter Olympic semi final hockey game between the United States and the Soviet Union,broadcaster Al Michaels perfectly combined the ticking down of the clock with the amazement of the moment. Michaels enthusiastically proclaimed "4,3,2,1...Do you believe in miracles? Yes!" Michaels portrayed the excitement well by implying that the United States' victory was miraculous.

Few events capture the imagination quite like miracles. In sports, unexpected occurrences are ofen seen as miracles or events which defy expectations or cause us to suspend belief. Sometimes announcers capture amazing moments very well. In this case, Michaels captured the moment very well by announcing naturally what came to his mind. The call did not seem rehearsed, but rather seemed natural.

A good sports announcer realizes that the event is about the teams or athletes in the event. A sporting event is not about the announcer. A good announcer helps the television or radio audience to focus on the moment and to appreciate it more. The best calls are natural and unrehearsed. The best calls capture the excitement of the moment.




In game 1 of the 1988 World Series between the Los Angeles Dodgers and the Oakland Athletics, Dodger Kirk Gibson hit a dramatic game winning homerun. Gibson had been injured for much of the season, and he was not expected to play in this game. However, now he was entering the game as a pinch hitter with a chance to win the game against Dennis Eckersley, the game's best closer. Don Drysdale, Vin Scully and Jack Buck all called the game for different outlets. All three made memorable calls which captured the majesty of the moment.

As Gibson's home run sailed over the wall, Drysdale said "And a drive into right field. Way back! The ball is gone!" After pausing for several seconds as the crowd cheered, Drysdale said "This crowd will not stop...They can't believe the ending. And this time, mighty Casey did not strike out!" Drysdale's call showed apppreciation for the crowd's response and alluded to a famous poem about baseball. Most home run calls do not include a literary allusion. However, in this case, Drysdale's allusion and his call fit the moment.

Scully, the long time Dodger radio announcer, also gave a memorable call. As Gibson hit his homerun, Scully said "High fly ball into right field.She is gone." A simple description of the homerun, which did not overshadow the moment. Then after being quiet for a moment to allow the crowd noise to be appreciated, Scully said "In a year that had been so improbable, the impossible has happened." Scully put Gibson's home run within the context of an improbable season for the Dodgers- a team that was not a World Series favorite when the season began.

Buck's call is also memorable. As Gibson's home run cleared the right field wall, Buck said "Unbelievable! A home run for Gibson, and the Dodgers have won the game 5-4. I don't believe what I just saw!" Buck expresses incredulity about the memorable moment. By doing so, he joins the disbelief of the crowd and television and radio audience. In this instance, the broadcaster and the audience achieved a unique and memorable kinship.




When Joe Carter hit a home run to win the 1993 World Series for the Toronto Blue Jays against the Philadelphia Phillies , Scully did the game for NBC sports.

As the pitch was hit by Carter, Scully said "Fast ball is hit to left field, down the line and in the corner. Home run!" Then Scully remained silent for about a minute as Carter circled the bases and got mobbed by teammates. During this time, the camera showed the jubilation of the Blue Jays and the dejection felt by the Phillies in their dugout. No words were necessary at this moment. The scenes of both sides told the whole story. If a person tuned in at that moment, he or she would realize that the Blue Jays had won the World Series.

After the minute had passed, Scully re entered the scene. Scully said "Joe Carter, who took a 2 and 0 pitch right down the middle, hits the 2 and 1 pitch over the left field wall and the Toronto Blue Jays come back with 3 in the bottom of the 9th inning to become the World Champions yet again." After a minute of silence, Scully recapped what had happened against the backdrop of a jubilant Toronto crowd.



Scully also called Hank Aaron's record setting 715th home run in a game between the Atlanta Braves and the Dodgers. Once again, Scully did the game on radio so he had to be very descriptive. As Scully called the pitch and the home run, Scully said "A fast ball is a high drive into deep left center field. Buckner goes back to the fence.. and it is gone." Aaron circled the bases and was mobbed by teammates.

After Aaron finished his home run trot, Scully resumed talking. Scully put the moment in context by saying "What a marvelous moment for baseball. What a marvelous moment for Atlanta and the state of Georgia. What a marvelous moment for the country and the world. A black man is getting a standing ovation in the Deep South for breaking the record of an all time baseball idol. And it is a great moment for all of us and particularly Henry Aaron who was met at home plate not only by every member of the Braves, but by his father and mother." Scully did a very good job of describing the scene for the radio listeners and referring to how it seemed to symbolize racial progress in the United States. He also made the radio listeners believe that it was a good moment for them as well.




In the 6th game of the 1975 World Series between the Cincinnati Reds and the Boston Red Sox, Carlton Fisk hit a game winning home run in the 12th inning to give the Red Sox the win. The home run became famous for Fisk's attempt to motion the ball fair. After Fisk hit the ball down the line in right field, the only question was whether it would be fair. It had the distance to be a home run, but no one knew if it would stay fair.

Fisk extended his hands over his head and waved his arms back and forth as if to motion the baseball to stay in fair territory. He watched the flight of the baseball as he glided up the first base line. When the ball hit the foul pole, which made it a home run, Fisk extended his hands one last time in jubilation. The Red Sox had won game 6 with a walk off home run.

Announcer Don Stockton called the game for CBS television. As Fisk hit the ball, Stockton said "There it goes, a long drive. If it stays fair...home run!" Fisk circled the bases as the Reds walked off the field. Fans ran on the field. Fisk jumped on home plate with both feet as his teammates met him at home base. As he jumped on home plate, the crowd got even louder.

After Fisk jumped on home plate, Stockton resumed his call by saying "We will have a 7th game in this 1975 World Series. Carlton Fisk becomes the first player in this series to hit one over the wall, into the net...Red Sox win it, 7-6 in extra innings." Stockton framed the game within the context of the series. He pointed out that the home run extended the series and made a 7th game necessary. Unfortunately, for the Red Sox and their fans the Reds would win game 7 and the series. Nevertheless, Fisk's home run was a memorable moment for the Red Sox and their fans.

The footage of Fisk skipping down the first base line became the opening for the television show "This Week in Baseball", a weekly program narrated by Mel Allen. May baseball fans in the 1970s and 1980s saw this footage every week. The replaying of this moment made the moment even more memorable.




In game 5 of the 1985 NLCS, Ozzie Smith, of the St.Louis Cardinals, hit a game winning home run against the Dodgers. Smith, a switch hitter, was batting left handed against Dodger pitcher Tom Niedenfuer. Smith, who had 3,009 previous at bats as a left handed hitter, had never hit a home run from the left side of the plate. Right before Smith hit this home run, the television screen gave the viewer this information.

Scully called the game for NBC sports television. As Smith hit the home run, Scully said "And that's driven to deep right field, back goes Marshall...game!" As Smith circled the bases, neither Scully nor commentator Joe Garagiola said anything. As Smith approached home, he leapt towards home plate where his teammates were waiting for him.

Then Scully said "The lite beer from Miller MVP needless to say is Ozzie Smith. For Joe Gariagiola, Vin Scully, we'll see you at Dodger stadium, Los Angeles." A simple way to end the telecast, but it set the scene for the next game effectively.

Scully, despite being the Dodger radio announcer, gave a very objective call. Jack Buck, doing the game on radio for KMOX, a St. Louis based radio station, was more partisan. Doing the game for a local radio station allowed Buck to be more emotional and fan friendly. As Smith hit the home run, Buck said "Smith corks one into right, down the line! It may go! Go crazy folks! Go crazy! It's a home run! And the Dodgers have won the game...by the score of 3-2...on a home run by the Wizard! Go crazy!" Smith, known as "the wizard" because of his defensive wizardry at short stop, had won the game with his bat and sent the Cardinals' crowd into a frenzy. Buck captured the moment perfectly.

There have been many memorable games through the years. The players, teams and fans make the games memorable. However,when an announcer captures the moment well, the game seems even more memorable.







Sunday, March 4, 2018

Tanking poses a problem for the NBA




The NBA has a problem with tanking. Some organizations who are out of the playoff picture purposely send out an inferior lineup so that they can lose. Each loss improves a team's chances of securing the top pick in the NBA draft.

The players do not try to lose, but the organizations employ subtle tanking techniques. Coaches may decide to rest a starter who has a minor injury or teams may acquire players from the D- League that they can develop and give playing time to. Organizations may trade good players in exchange for players with expiring contracts so that they can have more cap room for the following season. In an odd twist of fate, organizations actually purposely try and get worse.

Tanking cheats the fans who want to see a good and competitive game. However, on the plus side tanking may help a team get better in the future if they can acquire a higher draft pick. Fans can tell themselves that losing is worth it in the end.

NBA teams want to be really good or really bad. The worst place to be is in the middle. If a team is really good, it can contend for a championship. If a team is really bad, it can contend for a high draft pick. If a team is in the middle, it is stuck in mediocrity. A high draft pick gives a team hope that it can one day contend for a title. So, the temptation to tank is understandable. It's an attempt to build for the future, which sports teams all have to do.

The Philadelphia 76ers have just completed a 4-5 year process that many saw as tanking. Sam Hinkie was hired as the team's general manager in 2013. He told the team's ownership that the 76ers were a long way from winning. He believed that the 76ers should rebuild through the draft. Hinkie opted for a long range plan instead of a short range one. He was willing to sacrifice winning a moderate amount in the short term so that the team could be a championship contender in the long term.

Dan Kopf, writing for Quartz Media, says "Hinkie traded the team's best players and made no attempts to acquire players that would make it better." From 2013 to 2016, the 76ers were the worst team in the NBA. It was obvious or everyone that the team was trying to rebuild for the future. The other owners of the NBA were concerned about this approach and they put pressure on the team's ownership to change course. In response, the 76ers' ownership demoted Hinkie to an assistant and hired another general manager. Eventually, Hinkie resigned.

The 76ers' decision to tank produced four high draft picks. Joel Embid and Jahlil Okafor were taken third overall in two different drafts. Ben Simmons and Markell Fultz were chosen first overall in two separate drafts. Simmons and Embid have become two of the best players in the NBA. Okafor did not work out and is now with the Brooklyn Nets. Fultz was injured his entire rookie season, however some NBA observers believe he can be a good point guard.

Currently the 76ers are one of the best teams in the NBA's Eastern Conference. So, Hinkie's plan helped the 76ers become a better team.

Many have given a simple solution to the problem of tanking: Instead of rewarding the team with the worst record with the greatest chance of getting the top pick, give the top pick to the non playoff team with the best record. This format would create an incentive for teams to do their best. A team could try to make the playoffs, but if they did not make the playoffs, then at least they could earn the best pick or another high pick.

Or, all 32 teams could have an equal chance of getting the top pick. The current draft lottery rewards failure and penalizes success. However, if all 32 teams had an equal chance of receiving the top pick, then good teams would not be penalized with a lower pick. Also, this would reduce the temptation to tank.

A general manager needs a long range plan for rebuilding a team. It's understandable that some teams would sacrifice the present in order to be better in the future. However, it cannot be done at the expense of fair play. Teams have an obligation to send out their best lineups and to acquire the best players available for their team. Teams need a long range plan that does not include tanking.

Tom Ziller, of SBNation, makes a distinction between institutional tanking and situational tanking. Ziller says "What we have is a mix of situational tanking (what Memphis, Dallas, and Orlando are doing after falling flat on their faces early this season) and institutional tanking (what Sacramento, Phoneix, Atlanta, and Chicago came into this season doing). Add in the perennially leveled Nets and you have a nasty brew of losing." So, some teams ended up tanking because they did worse than they thought they would do. Whereas other teams knew they would struggle before they entered the season.

The large number of poor teams in the NBA this season is unprecedented. The league has never seen so many teams that have had poor seasons. Ziller says "We currently have eight teams on pace to win fewer than 30 games. That has never happened in an 82 game - NBA season." These teams are all trying to rebuild for the future, while trying to be somewhat respectable now. However, all of these teams know that the only way to truly rebuild is through the draft. Therefore, the more games that a team loses, the better chance that a team has of securing a top pick.

Mark Cuban, owner of the Dallas Mavericks, was recently fined $600,000 for publically suggesting that the Mavericks were tanking. The league responded by fining him and issuing a memo explaining the reason for the fine.

In the memo, NBA commissioner Adam Silver made a distinction between rebuilding a team and trying to lose on purpose. Silver emphasized that the rebuilding process is "legitimate", but that tanking "has no place in our game." Furthermore, Silver warned the teams that the league would take action against organizations that tanked. Silver said that the league "will continue to monitor closely the play of all teams during the remainder of the season." It will be interesting to see what effect Silver's memo has on the league.

Silver's memo left no doubt about the league's opposition to tanking. Now, the responsibility is on the different organizations to field the best team possible and to implement a rebuilding plan that does not involve tanking.







Thursday, February 8, 2018

The Cavaliers and Lebron James get ready to make a transition



Entering this season, Lebron James had already played more minutes and more games than Michael Jordan. James has played in the last 7 NBA finals- the last 3 with Cleveland and the previous 4 with Miami. He also lead Cleveland to the 2007 NBA finals where they were swept by the San Antonio Spurs. Since 2005, James has played in 217 playoff games which is the equivalent of more than 2.5 regular seasons. He will not be able to carry a team to the NBA finals much longer. He will probably not be able to carry this Cavaliers team to the finals this year. Additionally, James is a free agent after this season.

For one of the first times in his career, James' team is not a top 10 team in the NBA power rankings. The Cavaliers, without Kevin Love, do not seem poised for a title run. James and the Cavaliers appear to be in the middle of a transition.

Recently the Cleveland Cavaliers have been criticized for playing poor defense. The criticism reached it's crescendo when the defending Eastern Conference champions surrendered a whopping 148 points to the Oklahoma City Thunder. Actually, within the last three weeks the defensively challenged Cavs have given up a lot of points.

The Cavs need to return to basic defensive skills. They need to play help defense, stay in between their man and the basketball and get back more quickly on defense. They need to play better half court defense and better transition defense.

Playing defense involves pride and effort. Players should give maximum effort on the defensive end. Playing offense may be more exciting, but making a good play in defense is just as important as doing well on offense. Cleveland's coaches should emphasize the importance of defense during practices and film sessions. Cleveland's coaches should highlight players who make good defenseive plays. Additionally, the coaches should encourage James to set a good example by giving a good effort on defense.

Due to this year's struggles, the Cavaalier organization needs to consider it's long term plans. Barring a dramatic improvement in play, which seems unlikely, the Cavaliers will not make their fourth straight finals. James will not make his 8th straight finals appearance unless he is traded to a contending team. So, both James and the Cavaliers must consider their long term future.

Since bringing back his talents to Cleveland after spending four years with Miami, James has always had one foot in and one foot out with the Cavaliers. He wanted to win a championship with Cleveland, but he also wanted to make sure the organization was headed in the right direction. He also wanted to influence the direction of the organization, which is part of the problem. While James is one of the NBA's best players, he is not necessarily good at evaluating personnel.

The Cavaliers made moves that they thought James would be happy with. Nate Scott of Foxsports says "When James expressed concern about the team's depth early on, the Cavaliers went out and got J.R. Smith, Iman Shumpert and Timofey Mozgov. It was all done to make the team better, yes, but it also was done to make the team's superstar happy." Scott also emphasizes that the signing of James Jones was influenced by James. Additionally, the Cavaliers' decision to give Tristan Thompson a lucrative contract came about in part because Thompson and James have the same agent.

Furthermore,signing Derrick Rose and Dwayne Wade were questionable decisions. Both decisions were made in part because of James' influence. So, personnel moves were influenced or ratified by James. At times, the organization showed deference to James. This created an imbalance within the organization. While James is a very good basketball player, he does not necessarily have the perspective of a general manager. He may also not understand the way that free agent signings effect a team's salary cap.

Scott emphasizes that by building around James with a "win now" attitude, the team has put off any kind of youth movement. Scott points out that their current approach has cost the team young assets and draft picks. The current approach has also put the Cavaliers over the salary cap. Building around James is good if the Cavaliers are a contender, but it is not a good approach if the Cavaliers cannot contend.

Not only are the Cavaliers poised to make a transition, but James must make one as well. At age 33, in the middle of his 15th NBA season, James will soon be a complementary superstar, rather than a superstar. Instead of being a player that teams can build around, he will soon be a player who can complement a superstar. He will be a player that a team can acquire to supplement another top notch player. It's essential that James recognizes where he is in his career. He cannot influence a team's decision of who to acquire. Instead, he must defer to an organization's general manager.

Transitions are always difficult in sports. They are difficult For individuals and teams. It's tough for individuals to realize that they are gradually declining athletically or will be soon. It's difficult for a player who has been a focal point to transition into a complementary role. However, such transitions are necessary.

Sometimes a player may be given a reduced workload. The player may play fewer minutes. In some cases, a basketball player may not be able to play on consecutive nights. Or a player may lose the quickness that is necessary to drive to the basket or create his own shot. At the end of a player's career he may have to take more jump shots if he lacks the quickness to go by the defensive players or create on the offensive end. Also, a player may have to refine his passing skills and his ability to facilitate for his teammates. In any event, James may have to adjust his game and expectations after 15 years and 217 playoff games.

Likewise, teams have to also go through transitions. Teams must evaluate themselves. They must know whether they are contenders or not. If a team knows that it needs to rebuild, then it needs to undergo a youth movement. For instance, the Philadelphia 76ers have tried to rebuild around Ben Simmons, Joel Embid, Dario Sarik and Markelle Fultz. They have tried to build around lottery draft picks. The 76ers got real bad before they could get good. They had a plan that involved building almost exclusively through young players and draft picks. They followed that plan, and now they are experiencing some improvement.

The Cavaliers are still one of the better teams in the Eastern Conference. However, they are probably not a contender anymore. Soon they will need to transition to a rebuilding phase. Lebron James helped bring the Cavaliers an NBA championship and four Eastern Conference championships. His tenure in Cleveland has been successful. Soon it will be time for a new beginning for both James and the Cavaliers.

Saturday, February 3, 2018

Being pro life




There is a place for everyone in the pro life movement. Whether we are parents or not, we have an important role in the pro life movement. Everyone can make a positive difference by respecting the unborn and honoring the role of parenthood - specifically honoring the sacrifice that mothers make. Basically, we need to respect the unborn, support pregnant women and offer forgiveness to women who have had abortions.

The first element is respecting the unborn child. Life begins at conception. This is a scientific fact which is reinforced by the Catholic Church, the Orthodox Church, Orthodox Judaism and the Muslim religion. All three monotheistic religions believe that life begins at conception. All three monotheistic religions respect life from the moment of conception. Through the technology of ultra sounds, we can observe the life within the womb. We can see the baby moving and growing in the womb.

Supporting pregnant women is also important. Some women may choose abortion because they do not sense that they are supported by their husbands or boyfriends . They also may not sense support from society or the Church. Women deserve support. Pregnant women deserve support during their pregnancies. Carrying a baby for nine months is a sacrifice. It is heroic. It requires courage and strength. Women deserve support during their pregnancies and afterwards. This basic point needs to be continually reinforced. Women should never feel alone during their pregnancies. God is with them. Their family needs to be with them. Also, as members of the Church and of society, we also need to be with them.

A third element is forgiveness. Women who have had abortions must not be condemned. They must be forgiven and respected. The Catholic Church believes in forgiveness. All Christian communities believe in forgiveness. We know that Christ forgives us when we turn to him. In Jesus Christ there is forgiveness and healing. This is true for all of us. We need to extend that forgiveness to others.

Saturday, January 27, 2018

Lou Gramm's musical career




Music has been a part of Lou Gramm's life from day one. Gramm says "That I would choose a career in music is hardly a mystery because I come from a family of musicians. In fact, it was music that brought my mom and dad together in the first place." Gramm's birth name is Grammatico, and his father and mother met through their mutual interest in music. Gramm's father, Ben Grammatico, met his mother Nikki Masetta while playing a concert in a jazz band in the early 1940s. Later, Ben Grammatico started a band called "The Sonny James Orchestra". Nikki Grammatica sang in the band.

Gramm's grandparents were Italian immigrants who came to New York State. They picked cabbage under very difficult living and working conditions. Gramm says "He and the other immigrants were hardy souls and were thrilled just to be in a land where opportunities seemed boundless." Gramm is justifiably proud of what his grandparents and others from that generation had to overcome.

Although, Gramm's father was in a band, he worked a very demanding and difficult day job. Gramm worked at a company in Rochester called "Yarman and Erba." His father built file cabinets for the company in a very difficult environment. The building was hot and the work was exhausting. Gramm admired his father's work ethic.

Gramm grew up in a blue collar neighborhood. As a youth, Gramm developed an interest in baseball because of his father. Gramm says "My dad was the one who got me interested in baseball. One of the first things he would do when he got home from work was plop himself down in his easy chair and read the paper." Gramm's father would read the sports pages and the box scores.

Gramm, a fan of the Brooklyn Dodgers, was sad when the team moved to Los Angeles. However, he continued to root for them and Duke Snider, his favorite player. However, Gramm became a fan of the Mets when they began play in New York in 1962.

When he was growing up, Gramm loved baseball. Gramm says "Baseball was definitely my first love, and my summer routine revolved around playing ball." Gramm spent a lot of time in the summers playing baseball with friends and family. Gramm also rooted for the Buffalo Bills because he was living in upstate New York.

While Gramm played baseball, music would soon take center stage. Gramm's parents encouraged their three sons to play musical instruments. Gramm took up the drums because "it looked like a lot of fun banging away with those sticks." Gramm was a good drummer who earned a spot in the All-Country scholastic orchestra. At this time, Gramm liked playing the drums, but had little interest in singing.

While he was playing in the school band and orchestra, he developed an interest in rock and roll music. He remembers the first time he heard a rock and rol song. When his father was driving Gramm and his older brother around in a 1953 Pontiac, they heard Elvis Presley's song "Hound Dog." Gramm says "That was my introduction to rock and roll - Elvis' "Hound a Dog" blasting out of the dashboard speakers of my dad's '53 Pontiac. I didn't realize it at the time, but that would wind up being a life altering experience. A whole new world was about to open up for me." When rock and roll music entered Gramm's life, he entered a new phase of life. It represented a new beginning for him.



Many bands influenced Gramm, but The Rolling Stones and the Beatles stand out as the biggest influences in his musical career. Gramm still recalls seeing The Rolling Stones live on November 1st, 1965 in Rochester, NY. He remembers the excitement of the evening and the anticipation of the concert.

The Beatles had a profound effect on him as well. Gramm says "I was a huge Beatles' fan. No group before or since ever impacted me the way they did, and I know I have plenty of company when I say that because the Fab Four revolutionized music and the industry." Gramm still remembers meeting John Lennon for the first time in 1972 when they were recording at nearby studios in New York City. After they met in a nearby coffee shop, they played pool together and talked about music. Gramm said he was honored when he played at a memorial concert in Liverpool England after Lennon died. Gramm also remembers meeting Paul McCartney.

Gramm also recalled his first playing gig as a 15 year old. He filled in for a country western band named "Danny, Tony and the Knighthawks." Gramm was grateful for the opportunity to perform before a live audience. Gramm said "Although country wasn't my thing, it was a cool experience and I'll always be grateful to them for giving me the opportunity to feel what it was like to play a gig in front of a crowd." Gramm played about a dozen shows with the band. The experience taught him what it was like to perform in front of a live audience.

After these dozen shows, Gramm joined a band in high school that played cover tunes. Gramm says "I was the lead singer as well as the drummer, and I found it difficult to do both at first." Gramm played in a couple more cover bands in high school. One of his bands had a good following in Rochester, Buffalo and Syracuse.

Eventually, Gramm formed a band with other musicians from upstate New York called "Black Sheep." The band featured Gramm, Gramm's brother, Ron Rocco, Bruce Turgon and Don Mancuso. The band was the first American act to sign with Chrysalis records- an English record company. They recorded two albums and toured for two years across the United States.



Gramm says that they wanted to write and perform their own songs. They wanted to find their own niche in the upstate New York music scene and eventually the national scene. Gramm says "We didn't want to be just a cover band; we wanted to be distinctive, carve out our own niche. And my dream was to eventually land us a record contract, cut our album and expand our audience beyond upstate New York." Gramm and the other members of Black a Sheep had goals, hopes and aspirations. They dedicated themselves to making those goals come true.

Black Sheep worked hard to write and perform their own music. The band accepted the challenge of writing and performing their own music, but it was not easy. Gramm says "It was a huge struggle at first; it always is when you're a new band. But it was more so for us because we were trying to create a sound that was all our own at a time when club owners and a lot of fans expected local groups to stick to covering the national acts." Black Sheep were going against the grain in their attempt to make their own mark in the music world. They wanted to contribute something that was unique and distinctive.

Black Sheep became popular in cities like Rochester, Buffalo and Syracuse. While playing in a Buffalo club, the band met Jim Taylor who had worked for "A&M" records. The company represented acts like Humble Pie and Free, two bands that played music that was similar to Black Sheep. Taylor supported them and helped them to believe that they could succeed in the music industry.

One evening, Black Sheep played a show at a club called "Orange Monkey." The patrons stood the whole time as if they were at a concert. The patrons liked the music so much that they did not sit down and buy drinks. So, the bar owners did not ask Black a Sheep to return. It was clear from their local following, that Black Sheep had a successful future. They were making progress in the local music scene. Their popularity came from the quality of their music.

Eventually, Jim Taylor helped the band play gigs beyond western New York. So, the band's following expanded to include other areas. Soon, Black Sheep became the first American band to sign with Chrysalis Records- a European based record company. Up until this time, Chrysalis records had signed bands from England and other European countries. However, Black Sheep impressed the executives at Chrysalis enough to earn a contract. Gramm says "The game plan called for us to produce a song they could heavily promote and market here in the states, and that wouldn't be followed by a few more singles and an album." Black Sheep had the support that they needed. They had found their musical niche and were becoming more popular.

Black Sheep released their first single entitled "Stick Around." Gramm thought that it was a good single to release because it had a good opening guitar riff by Don Mancuso. It is a catchy song and it represented the band's music well. Gramm says "It was a pretty cool, simplistic song with catchy lyrics." However, Chrysalis would develope financial problems and were unable to promote the song. So, the single was not sent out to enough record stores. Gramm says "People went to record stores in hopes of purchasing it and the album it was from, but there was no album, and in many instances even the single wasn't available." The band had experienced an unexpected road block, but it remained undeterred. It did not give up.

When Chrysalis and Black Sheep parted ways due to Chrysalis' financial problems, the band was signed to a contract by Capitol Records. They recorded two albums with Capitol Records. One album was entitled "Song and Dance", while the other one was called "Encouraging Words." The first album was not promoted well and did not sell well. However, according to Gramm, their second album "was more polished. You could tell we were more focused, the songs held up better and there was an identity, stylistically, that the first album lacked." Their songs from the second album were played on the radio and they began a national tour.

However, their national tour did not last long. After one of the shows, the band drove back to Rochester, New York, and the vehicle carrying the band's equipment went off the side of the road. Thankfully, no one was hurt. However, the band's equipment was ruined in the accident. The band members did not have the money to purchase new equipment. So, the group had to stop touring. Soon after that, Capitol Records decided not to renew the band's record contract. The band's musical hopes were dashed.

One summer in Rochester, Gramm saw a concert involving Mick Jones- the guitarist who would become the founder of the band Foreigner. Gramm gave Jones copies of two of Black Sheep's albums. Later, Jones called Gramm and told him he was founding a band, and wanted Gramm to audition for the role of lead vocalist. Originally, he said "no", but his parents and the other members of Black Sheep encouraged him to audition.

Gramm flew to New York City and sang vocals over a demo tape that the band had recorded. Gramm met Keyboardist Al Greenwood and guitarist Ian McDonald. On the second day, Gramm met Bud Prager - the band's manager. After two days of auditioning, the band informed Gramm that he had the job. Greenwood told Gramm "We knew you were the one after the first two lines you sang the first two days you were here." So, the band Foreigner was born.

Gramm says "The original Foreigner was a sextet with three Brits and three Americans. And that's how we came up with the group's name. Because we had a mix, we said that no matter where we played , in the States or Canada, or abroad, there would always be someone performing on foreign soil." This mix of nationalities became part of Foreigner's identity. However, the most important part of their identity was their good rock and roll music.

Gramm said that Foreigner played well together from the very beginning. They rehearsed 8 hours a day, and then they wrote songs until midnight. When Gramm joined the band, the group had already wrote four songs for their debut album. Gramm helped write more songs for the album.

Thanks to the help of Bud Prager, the band's manager, the group signed a deal with Atlantic records. Gramm says "I was thrilled with the news of our deal with Atlantic because they were one of the heavy hitters in the music business." Gramm's musical career had been rejuvenated by joining Foreigner. Gramm was the voice of a band that would soon become one of the most popular rock bands in the music business.

Their first album produced the hit song "Feels Like the First Time," which appropriately enough was also the first single that they released. The album also produced "Long Way from Home." The album was successful. After the first album was released, Foreigner toured with the Doobie Brothers. Gramm says "During that first tour, we'd play an average from 45 minutes to an hour each show." The band also would play 4 concerts in 5 nights. While the tour was rewarding and fun, it effected Gramm's singing voice. Consequently, as the band experienced more success, Gramm asked management to alter the concert schedule.

As Gramm grew as a vocalist, he learned how to preserve his voice. Gramm says that on day she when the band performed, "I wouldn't t talk during the day, I cut out carbonated drinks, and I stuck to room temperature water." This routine helped Gramm to sing to the best of his ability every night.

Gramm was also writing songs for Foreigner. He was always prepared to write a new song or apply a life lesson or experience to music. Gramm says "As a songwriter , you're always in search of that memorable phrase and theme that will resonate with listeners-words that prompt people to sing the songs out loud. You never know where you might find the inspiration you need, which is why I always carried a notebook with me." Gramm was dedicated to writing and performing music. He did the best he could to help Foreigners thrive and become successful.

In 1978, Foreigner released "Double Vision", their second album. The album featured the title track and the song "Hot Blooded." After this album was released, Foreigner toured as an opening act for Heart. Foreigner had become so popular during the tour, that the concert promoter made Foreigner the headline act. The band members of Heart were understandably upset. However, the tour continued. Foreigner had to adjust their set from 45 minutes to two hours. Foreigner was becoming more popular throughout the country. The band was experiencing a lot of success.

Foreigner's third album was entitled "Head Games." The album sold two million fewer copies than the first two albums. Gramm believes that the songs were good, but not as good as the songs on the first two albums. After touring to promote their third album, Gramm and Mick Jones decided that the band needed some changes.

Jones and Gramm decided to make changes that they believed were in the best interest in the band. Gramm says "We each realized that Foreigner was at a crossroads, and after several long and hard discussions, we decided that we needed to dramatically shake things up and remake the band." So, Gramm reduce the numbers of musicians in the band from 6 to 4. Jones and Gramm asked Ian Mc Donald and Al Greenwood to leave the band.



Foreigner called their next album "4" because it was their fourth album and because there were now four members in the band. Gramm liked the name of the album and the cover of the record. Gramm says "We had the No.4 frozen and placed on our cover. It was simple, but very sharp looking; my favorite cover of all the albums I've done." So, although the band was going through changes, the group was confident about the future.

Atlantic Records put out a press release acknowledging some of the changes that the band was going through. Perhaps the label wanted the fans of the band to be prepared for the different sound and look of the band. However, while the band was going through changes, the sound was still distinctive and good.

After the success of "4", the band members of Foreigner discussed the future of the band. After a long tour, the band wanted a break from recording. So, they would not record their fifth album, "Agent Provacateur" for another 3 years. Atlantic Records was hoping that the band would embark on another tour because they had four albums worth of material. Their shows had good attendance and they were a popular band. So, if they had the energy, another tour made sense.

After the tour promoting "4", the band reassessed it's direction. Gramm wanted Foreigner to remain true to it's rock and roll roots, whereas it appeared that Jones wanted to write and record more ballads. Gramm felt that they may lose their base of fans who wanted the band to perform rock music, whereas Jones may have felt that the band benefited from a variety of songs. It's also possible that the ballads were a priority because they made the band money.

Gramm expressed his concern to Jones. However, Jones maintained that that Foreigner was simply going through a common phase that all bands go through. Gramm disagreed and thought the band was going through permanent changes. Gramm did not agree with those changes.

It was clear to Gramm that Jones had decided that ballads would be a part of the band's future. In fact, "I Want to know what love is", the ballad on the "Agent Provacateur" album, would become one of the band's most successful songs. Gramm, who helped write the song says "although it was his (Jones) idea and he did a lot of work on the song, I devoted a lot of time to it and made some tweaks here and there that helped bring out the soulfulness." Gramm also points out that the choir that the group added to sing back up vocals on the song added a different dimension to the song.

"I Want to Know what Love is" is one of Foreigner's signature songs. It became a mainstay on FM radio and has been heard by millions of people.

Three years after "Agent Provacateur" was released, Foreigner put out an album entitled "Inside Information." The album went platinum, but for the first time in their career the album did not finish in the top five selling albums for the year. Gramm did not contribute to the song writing for this album like he did for the previous albums. He sensed that he was becoming less of a part of the band. Although he was respected as a singer, his writing was not being called upon by the band anymore. Gramm wondered if it was time to move onto other musical ventures.

At this point, Gramm decided to record a solo album entitled "Ready or Not." The album featured the hit song "Midnight Blue." The song made it to No.5 on the billboard chart in 1987, and it "was the most played song on the radio that year." Gramm toured with his own band as an opening act for The Steve Miller Band.

Gramm did not want the music to sound like Foreigner. He wanted the music to have it's own personality and character. Guitarist Neil Lofgren and bassist Bruce Turgon played on the album. Gramm says "I was able to pull together a solid studio band to record the album. In addition to Lofgren's magnificent guitar playing, I relied on Turgon to help in the writing of eight of the 10 songs." Additionally, Gramm's father played a trumpet solo on the song "She's Got to Know." Gramm was glad that his father played trumpet on the album.

In addition to recording albums and playing tours, Gramm also made music videos as a solo artist and as a member of Foreigner. Gramm says "MTV videos were pretty primitive when they started out in the early 1980's. The first ones just showed the musicians on stage performing at a concert. But as time went on, the videos became more and more sophisticated, almost like short films." MTV and VH1 figured prominently in Gramm's career, both as a member of Foreigner and as a solo artist.

The rock and roll lifestyle kept Gramm away from his family. That is the part of the lifestyle that he regrets. However, in the late 1980's Gramm moved back to his home city of Rochester, NY to be close to his friends and family. Additionally, at this time Gramm was dealing with substance abuse issues - a common problem in the rock and roll world.

Gramm had a benign tumor removed from his brain in the late 1990s. Though the tumor was benign, it still effected his memory and thought process. The surgery took a toll on his memory and his thought process. He still toured with Foreigner after the surgery. He showed great courage in touring while he was overcoming the illness. He also shows great courage in overcoming his substance abuse struggle.

After leaving Foreigner, Gramm wanted to record a Christian album. He felt gratitude towards God for helping him to overcome illness and substance abuse struggles. Regarding the album, Gramm says "My references to the Lord were subtle. My intent wasn't to do a bible thumping beat you over the head Christian album. But I did want to convey how God helped me through some pretty difficult times and how he became a driving force in my life." Gramm felt gratitude and thankfulness towards God.

Gramm also feels very proud of his family. Gramm says the following about his two grown sons: "One is a sous chef and has his own restaurant, and the other is a computer wiz who's experiencing with a number of different products." Gramm's family and his faith have helped him to put life into perspective.

In 2013, Gramm and Jones were both inducted into the Songwriters Hall of Fame. Gramm was honored by the induction, which recognized his contributions to the Foreigner. Gramm says " I was chosen along with Mick Jones for the music we created with Foreigner, and I was tickled pink when I found out because it was another indication that many of our songs have stood the test of time." Indeed, this is true. Foreigner's songs continue to be played on FM radio stations. Their songs and Gramm's soulfully singing voice continue to be a part of the American musical scene.

Gramm's musical career has featured hardship, challenge and difficulty. However, it has also involved success, achievement and recognition. Gramm's family gave him a foundation that helped him achieve much musical success. He was fortunate to be surrounded by other talented musicians and appreciated by many listeners. The American musical scene is better because of the contributions of Lou Gramm.






Note: All of Lou Gramm's quotes come from his autobiography "Juke Box Hero."